{"id":547,"date":"2023-03-02T08:44:10","date_gmt":"2023-03-02T08:44:10","guid":{"rendered":"https:\/\/cindysoula.com\/index.php\/about\/"},"modified":"2025-02-07T19:42:42","modified_gmt":"2025-02-07T18:42:42","slug":"artiste-peintre-montpellier","status":"publish","type":"page","link":"https:\/\/cindysoula.com\/en\/artiste-peintre-montpellier\/","title":{"rendered":"About"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

About<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

About me...<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"Cindy\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Cindy Soula
French painter artist, Montpellier (France)<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

I am a painter. I work and live in Montpellier. Originally from Loz\u00e8re, I studied in Mende and then in Paris. I've been painting for several years. After a career for field with in diverse training, the artistic experience imposed itself on me.<\/p>

I observe. Since childhood. If the look preceded the gesture, I drew very early on. My gaze questions existence in the broadest sense of the term, and questions the individual in his or her relationship to the world. Nurtured by literature, with an interest in Asian philosophy and the social novels of Tolstoy and Dostoyevsky, theater and stage acting were also a way for me to relate to others and externalize my sensibility. While painting allows me to convey what I see, my realistic works leave a lot to my imagination, opening windows onto the invisible. I make my inner and outer spaces overlap. I wander through the history of art, but at the same time assert my creative freedom. Like Edward Hopper, I sometimes evoke solitude or melancholy, to create a more metaphysical atmosphere.<\/p>

My practice is characterized by precision of gesture and attention to detail. An attraction to light and shadow. I place particular value on my colors. Patience perverse through my brushes in rendering my reality. While I have a predilection for oils on canvas, I sometimes use watercolors for illustrations or acrylics for murals.<\/p>

I exhibit my work in various galleries in France and Italy. I work hand in hand with from institutions and art professionals.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Regards
d'artistes toscans
sur mon travail<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Marzia Callai<\/a><\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Stefano Tonelli<\/a><\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Roberto Veracini<\/a><\/h6>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Marzia Callai<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Le donne di Cindy<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

La luce e l\u2019ombra
creano la vita
su fondali di una citt\u00e0
senza nome, asettica
invisibile
inesistente
dietro le finestre
ermeticamente
chiuse.
Solo la donna \u00e8 viva
nella luce che coglie
gesti quotidiani
nel mistero dei passi
nello sguardo che fugge
in un mondo segreto.
Solo la donna sa
riempire di s\u00e8
tutto lo spazio<\/p>

Marzia Callai<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Les femmes de Cindy<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Light and shadow
\ncreate life
\non the backdrop of a nameless
\nnameless, sanitized
\ninvisible
\nnon-existent
\nbehind windows
\nhermetically
\nwindows.
\nOnly the woman is alive
\nin the light that picks
\nin daily gestures
\nin the mystery of footsteps
\nin the gaze that flees
\nin a secret world.
\nOnly a woman can
\nto fill all space
\nwith herself.
<\/p>

Marzia Callai<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Marzia Callai was born and lives in Volterra, Tuscany. She has a degree in modern and contemporary literature from the University of Pisa, and has taught at state schools and worked in education.<\/p>

She has published two collections of poetry, In questo mare, in questa pietra (In this sea, in this stone), published by ETS, Pisa, and L'invenzione del tempo (The invention of time), recently translated into French and published by L'ours de granit.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Stefano Tonelli<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Il silenzio di Cindy<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

C\u2019\u00e8 un silenzio disarmante nelle opere di Cindy, un silenzio che rimanda agli sguardi di Hopper e al \u201cmeriggiare pallido e assorto\u201d di Montale. Lei attraversa gli spazi cromatici della sua esistenza senza sorpresa, se c\u2019\u00e8 il sole vuol dire che il sole c\u2019\u00e8, se piove \u00e8 perch\u00e9 piove. Una profonda solitudine che si fa interrogazione sul senso della vita e soprattutto sul nostro esistere. Forse solo le ombre sembrano rassicurare sulla nostra reale presenza che si fa carne per un attimo per ritornare poi all\u2019assenza.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
Cindy's silence<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Il y a un silence d\u00e9sarmant dans les oeuvres de Cindy, un silence qui renvoie aux regards de Hopper et au \u00ab midi faire halte p\u00e2le et pensif \u00bb de Montale. Elle traverse les espaces chromatiques de son existence sans surprise, s\u2019il y a du soleil, c\u2019est parce qu\u2019il y a du soleil, s\u2019il pleut c\u2019est parce qu\u2019il pleut. Une profonde solitude qui nous questionne sur le sens de la vie et surtout sur notre fa\u00e7on d\u2019exister. Peut-\u00eatre seules les ombres semblent nous rassurer sur notre r\u00e9elle pr\u00e9sence qui se fait chair, pour un instant, avant de retourner ensuite \u00e0 l\u2019absence.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Stefano Tonelli attended the Art School of Volterra starting a long artistic journey that still continues. His \"signs\" have taken him to many Italian and foreign cities, from New York to Paris, from Berlin to Madrid, from Lisbon to Hamburg, to name but a few. During these years, a fragment of Cesare Pavese's The Moon and the Fires has always served as his compass :\n\"You need a country, if only for the pleasure of leaving. A country means not being alone, knowing that among the people, among the plants, in the earth there is something of you that even when you are not there, remains waiting for you.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Roberto Veracini<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
Corpi in solitudine
\n(Cindy Soula. Istantanee di non-vita contemporanea)<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

La vita che scorre nell\u2019attimo che si perde. Un\u2019ultima immagine per fissare il tempo, poi solo corpi che si dimenticano. Come se fosse impossibile ogni altra forma di esistenza. Si vive cos\u00ec, in solitudine, non consapevoli. Una finzione scenica asettica, imperscrutabile. Tutto appare indistinto, lo sguardo \u00e8 assente, la luce \u00e8 ombra, non si aspetta niente e non c\u2019\u00e8 speranza. Solo i gesti appesi in una cornice che non ci appartiene. Cos\u00ec siamo diventati. Corpi in solitudine.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
Corps en solitude
\n(Instantan\u00e9s de non-vie\ncontemporaine)<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

La vie qui court dans l\u2019instant qui se perd. Une derni\u00e8re image pour retenir le temps, puis seulement des corps que l\u2019on oublie. Comme si chaque autre forme d\u2019existence \u00e9tait impossible. L\u2019on vit ainsi, en solitude, sans le savoir. Une fiction sc\u00e9nique aseptis\u00e9e, ind\u00e9chiffrable. Tout devient indistinct, le regard est absent, et la lumi\u00e8re se fait ombre, on n\u2019attend rien et il n\u2019y a pas d\u2019esp\u00e9rance.
Les gestes seulement, suspendus dans un cadre dont nous ne faisons pas partie.
Ainsi sommes-nous devenus. Des corps en solitude.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Roberto Veracini was born and lives in Volterra. He has published several collections of poetry, some of which have been translated into French. He was one of the founders of the literary magazine Pioggia obliqua. In 2010, he was featured in the French anthology. Les po\u00e8tes de la M\u00e9diterran\u00e9e<\/em> (aux \u00e9ditions Gallimard), pr\u00e9fac\u00e9e par Yves Bonnefoy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Contact me to find out more about my works<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\tContact<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

A propos un peu de moi… Cindy SoulaArtiste peintre fran\u00e7aise, Montpellier (France) Je suis artiste plasticienne. Je travaille et je vis \u00e0 Montpellier. Originaire de Loz\u00e8re, j’ai \u00e9tudi\u00e9 \u00e0 Mende puis \u00e0 Paris. Je peins depuis plusieurs ann\u00e9es. Apr\u00e8s un parcours riche de formations diverses, l’exp\u00e9rience artistique s’est impos\u00e9e \u00e0 moi. J’observe. Depuis l’enfance. Si […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"page-builder","ast-site-content-layout":"full-width-container","site-content-style":"unboxed","site-sidebar-style":"unboxed","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"enabled","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-547","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/pages\/547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/comments?post=547"}],"version-history":[{"count":403,"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/pages\/547\/revisions"}],"predecessor-version":[{"id":2821,"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/pages\/547\/revisions\/2821"}],"wp:attachment":[{"href":"https:\/\/cindysoula.com\/en\/wp-json\/wp\/v2\/media?parent=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}